Art Prints

Matter of movement

In-Situ FA





In search of visual phenomena in nature like structures of wood, grain, patterns of growth, Pernille Snedker Hansen sets out to experiment with marbling techniques to imitate and magnify nature. 

The works on paper recreate the moments of the dripping process and frame an excerpt of stages in the making.

Organic processes become scripts for Pernille Snedker’s movements with her tools: water, numerous small bottles filled with various colours, wood, paper and a careful choice of colour combinations; combing through materialised occurrences when colour drops spreads in the water basin. What happens is partly calculation, partly chance, loosing the her hold on the process but at the same time being incredible aware and highly concentrated on the evolution of formation.